Overlaps and Digressions, 2018
4-channel sound composition. 8'45"
3 ESI nEar 05 studio monitors, Panphonic Soundshower, cables, computer, sound card

Layers and Loops (1-12), 2018
Oil on linen, 12 panels, 31 x 41cm each

These paintings draw on musical ideas of traces, reverberations and resonances. Physically these paintings consist of traces of other paintings, paintings they have touched, but can now only distantly refer to. Thus, the front of these canvases might be a remnant, or a memory, or of a reverberation of a process past. The sides of these canvases reveal that they also functioned as stencil edges for other paintings, again revealing references to absences.

Exhibition: Beyond the Field (Still) Curated by: Anne Mestitz

Contemporary Art Tasmania 22 September - 4 November 2018